Skip to main content
HomeControl PanelCustom PagesVV Profile 13 JH 4x4
Village Voices
Village Voices is the showcase of creativity by the members and volunteers of The Village Common of Rhode Island. We welcome submissions in all media: 2- and 3-dimensional art, creative writing, transformative ideas, crafting, and art collections. As important is the personal stories that accompany each submission.

John Harkey

VV_illustration.jpg

John Harkey

Biography

When Ginger and I met and married in 1975, we both were already veteran travelers: She was a returned Peace Corps volunteer to Sierra Leone, and I spent part of my childhood in Libya and Australia. We settled in Providence in 1976 and started a family, yet our travels remained a staple of life. In 1990 Ginger and I took sabbaticals from our work to give our young family one year in Spain, and much later she and I relocated to Argentina for five years, which opened up South America for us. Our two children Abigail and Jeremy, independently well-traveled, share our interest in indigenous cultures, and each received a Metcalf grant from the Rhode Island Foundation to pursue independent research in Ecuador and Australia. Jeremy now is a venture capitalist in humanitarian enterprises, and Abby, a teacher and a recent Fulbright Scholar in Finland, is Denver Public School Department’s new arts administrator.

Reestablishing ourselves in Providence after returning from Argentina, we discovered the Providence Village and became members. I have been an active volunteer for several years and believe that volunteering offers one of The Village Common’s greatest rewards: to work with fine people in service to our neighbors.

Sacred Errand

I am a graduate of the Rhode Island School of Design (MFA Photo ’78) and pursued a career as a freelance commercial photographer, garnering several industry awards. My fine art photographs are in the collections of the Dallas Museum of Art, and the Amon Carter Museum of American Art.


I am also the author of Sacred Errand, a book set in contemporary Australia. It is a memoir of loss, cultural politics, and the curious consequences of making things right again. Find it on Amazon books.

Artist’s Statement

The photographs in the two books My San Antonio were made in my mid-twenties, during a brief residence in San Antonio, Texas, 1975 to ’76. I had moved there specifically to document the city’s distinctive character that was reflected both in its ethnic diversity, and in its architectural artifacts. As a photographic undertaking, my year’s work in San Antonio is characterized as documentary: Things are what they seem. Rather than imposing an artistic vision, I photographed anything that interested me with a straightforward approach.

While celebrated as the birthplace of Anglo-Texan liberty, the Mexican heritage half of the citizenry maintained a stature equal to the Anglos; Mexican vaqueros had their rodeos, and Anglo debutantes their sequined gowns. There were others, the indigenous, who struggled to survive culturally. All these people are the focus of Book One, photographs made with a handheld 35mm camera.

Book Two, shot with a view camera on tripod, looks primarily at ephemera, sometimes discarded in heaps, and civic structures either enduring or falling into disrepair. I was motivated to capture the nature of a very old city that I saw threatened by modernization. Each photograph tells a story of pride, enterprise, faith and quality of life. The photos that follow here are a blend of both Books One and Two.

As devoted as I was to my work for those two years, I was only a visitor to San Antonio; I spoke with no native authority. Yet, in 1976, I was awarded a National Endowment for the Humanities grant to produce an exhibition of my words and photographs titled San Antonio: What Is At Issue?, an examination of the historic humanitarian concerns of the city. Not long afterward, and just married to Ginger, we left San Antonio for Providence and my masters degree program at the Rhode Island School of Design.

Both My San Antonio books can be viewed in full, for no cost, at the printer’s website:
Book One: https://www.magcloud.com/browse/issue/1962762?__r=3246530
Book Two: https://www.magcloud.com/browse/issue/1962784?__r=3246530

Place your cursor over any picture, below, to enlarge it.