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Village Voices
Village Voices is the showcase of creativity by the members and volunteers of The Village Common of Rhode Island. We welcome submissions in all media: 2- and 3-dimensional art, creative writing, transformative ideas, crafting, and art collections. As important is the personal stories that accompany each submission.

Marietta Cleasby

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I was raised in Hingham, MA and moved to Rhode Island in 1966. My husband and I both graduated from Boston University. Because we had summer jobs on Cape Cod with only one day off a week, we had only one day to find an apartment in Cranston. We bought the house we found in Pawtuxet and are still living here after 57 years.

Note the flag of Ukraine flying. Harder to see

on the front door is a painting of Pawtuxet.

Professionally, I taught business subjects in Central Falls High School while Robert was a music teacher at Smithfield High School. After we had 3 children, I taught art to others’ children in my home for several years. In 1988 I was hired as Arts Coordinator and teacher of drawing and painting at Rhode Island’s Adult Correctional Institution. That was a challenging career because it was like living in a foreign country; I had to learn my student-inmates’ language and values. This lasted 32 years and ending in retirement only because of the pandemic.


At the ACI, not only did I have classes but I also produced an annual art show for the inmate artists at the Atrium Gallery across from the State House at One Capitol Hill (a collaboration between the State Arts Council and the State Department of Administration). That was my way of giving my students a way to communicate another side of themselves to the community. The inmates would think and work all year on what they wanted to say to those who viewed their work. The work was strong, often introspective, and the artistic expression often moved those who saw it. What meant the most to the artists were the comments made each year by visitors to that show who never imagined that such talent might come out of a prison.

In 1997, working with OSCE (the Organization for Security and Cooperation in Europe: OSCE.org). I observed elections for ten years in Bosnia, Serbia, Kosovo, Albania and then three times in the Ukraine. Each one of these assignments was two weeks long and included Ukraine’s “Orange Revolution” of 2004. The engagement of OSCE has been by treaty with 53 countries since the 1970’s. We still observe their elections and they do the same for us.



I have always been intent on making a difference in my world through art. I made a lot of portraits in prison and also of homeless people on the street, paying them to sit and talk. This was appreciated by my subjects because they were recognized for being just themselves.


Aside from my obligation as an election observer I was able to do small paintings like this one from Zhytomyr, which is west of Kiev.

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Artist's Statement


For my husband, music is his passion (Robert is the music director for Martha’s Vineyard Tabernacle). Mine has always been art. Although my father

said I had to do something to make money, it was art I loved.


It is never work for me to create, which may surprise some people because of the hours involved. For instance, many mornings at 6 AM I photographed from the old I-195 bridge in Providence before it was torn down and replaced in a different location. I was taking photos of this view but also the content of the shadowed areas. When I finally put all this together, it took 60 hours of watercolor painting.


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The last touches were in the wash on the water and the reflections. It is important to remember that reflections only exist in the middle values. That means the light colors in the buildings become a bit darker in the reflection and the darker colors become lighter. This painting was completed in 2010 and, like my other paintings, will live long after my words.


The Illumination is a celebration on Martha's Vineyard which started during the China trade in the 1860's. No one knows the purpose of it but what happens has always been the same. The audience in the Tabernacle has a "sing" for an hour led by the Music Director (who is my husband).

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Then the lights are turned off everywhere, and the Ceremonial Lantern (which I painted) is lit by an important resident.

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It is carried up the aisle and when it appears outside the building, it is a signal to light all the lanterns on the cottages. There are many thousands of people visiting the Illumination every year.

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See more of my work on my website: mariettacleasby.com.

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Rhode Island

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Martha’s Vineyard

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